Excellent late 19th Century bronze study of a feeding reindeer with rich brown colour and very fine hand chased and etched surface detail, raised on a stepped naturalistic base, stamped with Peyrol foundry mark and signed

ADDITIONAL INFORMATION

Height:                                        16 cm

Width:                                         22 cm

Condition:                                  Excellent Original Condition

Foundry:                                      Peyrol                               

Circa:                                            1880

Materials:                                   Bronze

SKU:                                               8211

DESCRIPTION

Isidore Bonheur

Isidore Bonheur, born in Bordeaux  May 15 1827. Isidore was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men). Isidore was the brother of Auguste Bonheur and Bonheur (1822–1899). "It is I who first gave modelling and sculpture lessons to my brother Isidore" ( Bonheur)

In Bordeaux his father had been friends with Francisco Goya who was living there in Exile. In 1828 Bonheur moved to with his mother, brothers and sister, his father having gone ahead of them to establish a residence and income.

He studied painting at first, enrolling in 1849 at the École nationale supérieure des Beaux-Arts, though he made his debut at the Salon (Paris) in 1848 (a Cavalier nègre attaqué par une lionne, plaster, and a drawing of the same subject) and exhibited regularly until 1899. He won medals in 1859, 1865, 1869, took part in the Exposition Universelle (1855), exhibited in London at the in the 1870s, where he gained great success with equine figures and groups, and won the coveted Médaille d'Or (gold medal) with a sculpture entitled Cavalier Louis XV at the Exposition Universelle (1889). He won a silver medal at l'Exposition de Madrid in 1892, a gold medal at the Exposition Internationale d'Anvers (1894).

Also in 1894, Bonheur was awarded the status of Knight in the Order of the Immaculate Conception of Vila Viçosa (Cavaleiro da Ordem de Nossa Senhora da Conceição de Vila Viçosa), Portugal. In 1895 he was named Chevalier (Knight) of the Order of Isabella the Catholic, Spain. He was named Chevalier (Knight) of the Legion of Honour on 7 May 1895, decorated 24 May, and breveted 18 September 1895, Paris.

He had given up painting in favor of sculpture early on in his career, though he was noted primarily for his small groups. His studio (atelier) was located at l'Impasse du Moulin Joly, on the corner of rue du Faubourg-du-Temple in Paris.

Isidore Bonheur found a greater market for his work in the mid-nineteenth century in England versus France. In 1870 he gained representation at the Royal Academy and produced a variety of work that catered to English collectors.

Many of his bronzes were edited by the founder Hippolyte Peyrol, his brother in law whom was married to his younger sister Juliette. The Peyrol casts for both Rosa and Isidore Bonheur are exceptionally well executed, which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphised, but modelled to catch movement or posture characteristic of the particular species. He achieved this most successfully with his sculptures of horses, which are usually depicted as relaxed rather than spirited, and which are among his most renowned works^.

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